Saturday, 13 August 2011

Lollapalooza 2011 - Recap


Lollapalooza 2011 was already a week ago and had a seriously tough act to follow from 2010. Rules to making a satisfying sequel? Keep enough of the same things that worked from the first time and expand on the strengths, while thinning out the weaknesses. Did they succeed? I'm not sure, but 2010 and 2011 were completely different experiences for me and I am quite certain that I will return next year.

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First off, a quick primer as to the layout just incase a few common references cause confusion:



Moving from top to bottom and following the orange tags (from North to South):

Bud Light stage (top right, right): Hosts headlining sets each night as well as others throughout the weekend, including higher-tier acts. Big open field and has the Chicago skyline in the background.

Playstation stage (top right, centre): Hosts sets throughout the weekend including some high-tier acts, but no headliners. Concrete surface, experienced various sound problems on the weekend. Features sets as the main headliners prepare for their slots.

Google + stage (middle left, upper half): Small stage, hosts a variety of low-to-mid tier sets throughout the weekend, covered in trees, close to Michigan Avenue.

BMI stage (middle right, upper half): Similar to Google +, small stage, covered in trees, closer to Lake Michigan.

Kidzapalooza (middle right, bottom half): Features exclusively family-friendly content from various artists. I did not attend this stage this year.

Sony stage (bottom right, right): Hosts sets throughout the weekend including some high-tier artists, but no headliners. Smells like shit and includes sets as the main headliners prepare for their slots.

Perry's (bottom left, left): One big dance party in a tent, always expanding.

Music Unlimited stage (bottom right, right): Hosts headlining sets each night as well as others throughout the weekend, including more higher-tier acts. Big open field, very muddy in 2011 (especially for Eminem and the Foo Fighters).

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Thursday:
The festival started Friday morning at 11:30am and ran until 10:00pm each night; one lesson I didn't act on from last year was to pace myself. We arrived in Chicago Thursday evening and instead of resting up, it was off to a pre-show at the Double Door! I found out about this one on Thursday morning, hours before boarding and so it was a very pleasant surprise because it featured one of my favourite finds from this years lineup reveal, The Joy Formidable.

Double Door was hosting a free event featuring four bands (openers were Little Hurricane, Lord Huron, and Dale Earnhardt Jr. Jr.) but for various reasons we only made it for the latter (and headliner, of course). Starting with Dale Jr. Jr., our evening started off with a delay as the band was experiencing issues in setting up their stage, which was already putting a damper on things considering it was around 11:00pm and being out late isn't advisable when one has three straight days of music and powerwalking. The band itself wasn't bad and played a couple very random covers (We Almost Lost Detroit and Higher Love), but in general was quite forgettable.


The Joy Formidable started just after midnight and made it all worth it. Blowing through a very high-energy set that featured tracks from their breakout album The Big Roar, while sneaking in fan favourite Greyhounds in the Slips to the standard setlist, the band elevated their status for me on Sunday from must-see to camp-and-get-a-great-spot. The band is led by front woman Ritzy Bryan (vocals, guitar), Rhydian Dafydd on bass guitar (plus backing vocals), and rounding out the trio on drums is Matt Thomas. While each fan may have a preference or be drawn to Ritzy, it is the work of the whole group that makes them work so well. Say what you will about their studio work, it explodes in the live setting and I cannot give them a higher recommendation at this time. Check them out in the small venues while you can (they're opening for the Foo Fighters this fall and will get noticed).


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Friday:
Lollapalooza is officially here! Unlike last year we skipped the very first act of the weekend, which was disappointing for me but at the same time Wye Oak reportedly had sound problems and it would have put a damper on things. The new wristbands are cloth and so far the line to enter seems to be moving quite well. Where to begin...

TAB the Band: (12:15 - 01:00, North - Playstation)
Not much to really report on. Typical early-day band that I honestly didn't take much away with, aside from "We're on Facebook: TAB the Band. We're on Twitter: TAB the Band. We're on MySpace: Coldplay." They seemed like an enjoyable early-day band though.


Young the Giant: (01:00 - 01:45, North - Bud Light)
Wow! Very early in the day and the crowd on the north field is massive, very reminiscent of B.o.B in 2010 for the unexpectedly large crowd as the festival was beginning. These guys are enjoyable and pretty upbeat which made for a good starting point for the fest, but despite wandering to Tennis for a brief moment (not my scene) I did manage to catch their hit "My Body" which closed out their time.


Delta Spirit: (02:15 - 03:00, South - Music Unlimited)
I was looking forward to seeing these guys and while the set was enjoyable, they didn't steal my attention away for the complete time. I would certainly recommend checking them out but thinking back on the weekend I'm having a difficult time remembering anything memorable.


Grace Potter & The Nocturnals: (02:30 - 03:30, North - Bud Light)
This felt like the beginning of women dominating Friday at Lollapalooza 2011. I was on the fence ahead of time about checking out this set but I'm certainly glad I made the trek north as the set was full of energy and I can't help but recommend them when they're in town next (which happens to be my birthday this year... interesting!). Good interaction with the crowd and she even adjusted the lyrics to her/their single "Paris (Ooh La La)" to incorporate the festival, very naturally too.


Le Butcherettes: (03:30 - 04:15, North - Google +)
Surprise set of the weekend in many ways. I heard of them months ago as they are creating positive buzz for themselves, but I didn't follow-up as I had intended and upon walking to the restroom before Smith Westerns I overheard these guys starting up and I couldn't ignore it. The ridiculous amount of stage presence from front woman Teri Gender Bender made for an entertaining set which also included a furious display by drummer Gabe Serbian (I had never been at a show where a woman threw a high heel into the audience, nor have I heard a performer tell a crowd "I want to lick your tongues with my loving"). Definitely check them out in the live setting if you get the opportunity. I'm still mixed on the album itself but I know what I saw in Chicago and it was nuts. There was also projectile vomiting from behind the drums (...yup). This and Grace Potter felt like the serious boost that Friday needed.


Smith Westerns: (03:30 - 04:30, North - Playstation)
Coming off of two high-energy sets this was more or less the equivalent of Spoon in 2010 for me, where I'm sure they were good but I was coming down from the previous act and couldn't help but feel a little underwhelmed. Oh well.


The Kills: (04:30 - 05:30, North - Bud Light)
While I enjoy their music, I find their live show leaves something to be desired. The tracks are all performed well but it's essentially Alison Mosshart singing away, guitarist Jamie Hince doing his thing while a drum machine takes care of that part. Just feels like other two-piece bands are stronger at engaging an audience and making better use of the stage. Having said that I did enjoy the set, but it was nothing special (this was also my third time seeing them). Plus, Alison didn't faint this year.


Two Door Cinema Club: (05:00 - 06:00, South - Sony)
Caught the tail end of this set and I'm glad I did (bit of a roll developing here!) as it was filled with great energy from both the stage and the audience. In a far different manner than the last two acts, this one was very upbeat and dancey, especially for "What You Know" and "I Can Talk". They're in Toronto on September 17th at the Kool Haus and if Lolla was any indication, I am quite certain it's going to be a good time.


A Perfect Circle: (06:00 - 07:15, South - Music Unlimited)
After having seen them at Edgefest my expectations were lower, but I wasn't a fan of any of the opposing acts in this slot so I checked them out. Their brooding sound was far different than that of the previous set and this vibe was set from the get-go which included a cover of John Lennon's "Imagine". This was a pleasant surprise since their Toronto show had this song near the end, but definitely more engaging to put it near the front. Favourite live track by them was once again "Counting Bodies Like Sheep To The Rhythm of War Drums" which much like at Edgefest just feels like a giant thud every 3 seconds. I'd recommend checking them out if you have the opportunity to do so, but don't break the bank on it.


Finally made my way to Perry's to see what the fuss was all about as Skrillex was performing. This place was absolutely madness, but not really my scene; still cool to see a group so large having a great time.

Ok Go: (07:15 - 08:30, North - Google +)
Briefly caught some of this set and it's a little disappointing that they got such a conflicting time slot (this was an ideal time to start camping for the headliners), but from the chunk of their set I saw they were enjoyable. The band arrived with bright red, blue, yellow, and green suits which was consistent with my expectations of them being an outgoing band. They opened with "Do What You Want" and then I took off following about 4-5 more songs, but I hear great things about the conclusion of their set.


Muse: (08:15 - 10:00, South - Music Unlimited)
I feel like these guys don't get the respect they deserve. Their sound isn't for everybody, but their live show is damn good. As a non-fan I found myself engaged in most of the set right as "Uprising" hit; I'll give these guys the Green Day title from last year of being a band that I don't really enjoy on record, but they know what they're doing live (displaying the lyrics on a screen for a field of people is a good idea). Unfortunately, despite all of that praise there was this little indie band playing on the opposite end of the property for whom I was curious to see in the live environment, so for the first time in my Lolla history I split headliner sets and ventured off to...

Coldplay: (08:30 - 10:00, North - Bud Light)
Sadly I had just missed "Yellow" and "The Scientist" while at Muse but still managed to catch about 10 tracks which is sufficient for me, including "God Put A Smile Upon Your Face" and "Everything's Not Lost". My view (much like at Muse) was lousy but this set got me back into older Coldplay. This was a funny day for Lolla because neither of the headliners intrigued me on paper beforehand but despite each of them being enjoyable I also didn't feel obligated to stay, so to avoid mass exodus I listened to the encore from the exit (which I'm told was the most visual part of their set, whoops, I did get to hear "Clocks" though).

All in all this was a great start to the festival, one down and two to go.


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Saturday:
I hear I missed quite an opening set by J. Roddy Walston and the Business as the gates opened, but managed to spend some time with the guys so, it evens out. Rain clouds approach...

Phantogram: (01:30 - 02:30, South - Sony)
My first rainy set of Lollapalooza 2011 (and it would not be the last) was not really my scene, but this was a good time anyways. In hindsight it was nice to diversify what I listened to on the weekend and although I'm not certain I would push their live show as being must-see, they're nice on the ears. Check out the track "When I'm Small".


Fitz & The Tantrums: (02:30 - 03:30, South - Music Unlimited)
One choice that I was on the fence about was this set (especially since Friendly Fires have received plenty of praise), but I'm quite happy we picked this group and in addition to this I kind of wish I saw them in Toronto back in June. Featuring a motown sound the band gives the audience an entertaining show in the live setting and even broke out a couple of unexpected covers ("Steady As She Goes" and "Sweet Dreams", The Raconteurs and Eurythmics, respectively). Definitely check these guys out and be ready to dance (or head-bob). I feel like they are a great sunny day act to check out as well (especially since the rain stopped).


Death From Above 1979: (04:00 - 05:00, North - Bud Light)
Reunited Toronto rockers Death From Above 1979 brought it to Grant Park, but I feel like they would thrive more in a club setting compared to a sunny, open-field. In any event they were enjoyable, but with a ridiculous amount of hype in 2011 behind them it's tough to live up to those expectations. This felt like a similar experience to Le Butcherettes except it wasn't as engaging from a distance, but they'll be playing the Sound Academy in October where perhaps I will be closer.

Deftones: (05:00 - 06:00, North - Playstation)
Sound issues at the Playstation stage! I heard the set was good if you were close to the stage, but anywhere beyond the initial sea of people it was hopeless trying to hear them. Major disappointment considering I was curious to see these guys, oh well.

Checked out Patrick Stump and Ellie Goulding instead but neither of which were very engaging for me.


Ween: (06:00 - 07:00, North - Bud Light)
Uh oh, Saturday is derailing in a major way! I was on the fence about this set for months but they did not manage to grab my interest. I've heard extremely mixed reviews about this set, but I ducked out somewhat early in order to make my way south. They covered David Bowie's "Let's Dance" as well.

Tried to catch Lykke Li beforehand but it didn't really pan out.


Eminem: (08:30 - 10:00, South - Music Unlimited)
This was both extremely fun and disappointing. Fun in the sense that this was the largest crowd I had ever seen (in person) and everybody was having a great time while Marshall belted out new and old tunes. Disappointing in the sense that it's exactly what he did at every other show this summer and didn't feel natural. The musical content itself was good and it even appeared as though Em wasn't lip syncing (except on "No Love" or "Forever", but I can't blame him for needing a breath there). Coming off of last years album Recovery, the set contained a great deal of tracks from there, as well as all of the hits we've known to recognize, and some newer tracks from his 2011 album with Royce Da 5'9", Hell: The Sequel. His partner in crime even showed up to complete the Bad Meets Evil pairing and to perform their hits "Fast Lane" and "Lighters", the latter of which brought Bruno Mars to Chicago. The problem I have with Eminem in 2011 is that his shows jump from violent tracks such as "Kill You" and then to sappy ones like "Space Bound" which gives off a funny dynamic. Everybody in the crowd was singing/rapping along to all of his tracks (which is kind of scary considering the content of some songs), but I feel like he's at a major crossroads again with his career, or perhaps I'm growing out of him. To quote Alex Young at Consequence of Sound, "If Eminem’s goal was to awkwardly bridge two eras that couldn’t be more different, then mission accomplished." Also, why the hell would festival organizer Perry Farrell tease Dr. Dre appearing at Lolla and then not have it happen? Oh well, he did create this ridiculously enjoyable festival afterall, I can let it slide. I departed this set after "I Need a Doctor" which featured Skylar Grey and not Dre, as the song abruptly ended when his verse was to begin. Being such a large crowd it was quite a task to find the exit which means I still got to listen to closing medley that included "My Name Is", "Without Me", and the "Real Slim Shady", as well as 2010 hit "Not Afraid". I missed the finale "Lose Yourself", but I had much bigger fish to fry.


Foo Fighters played a secret gig at Metro in Chicago (capacity 1,100) which was revealed on Thursday morning. I'll devote an entire entry to it, but with all confidence I would say this was my favourite set of all time. Seriously. So while Saturday had many ups and downs, it had that major peak which resulted in me being home and in bed by about 4am. On paper this was a horrible idea, but one that was worth every second.


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Sunday:
Whew. Already done 3 days and 2 aftershows, but some of my most anticipated sets await... back to it!


Gold Motel: (12:15 - 01:00, North - Playstation)
They were good. I'm not sure how much of this set I actually remember, but it was enjoyable and unfortunately for them they shared a field with the Joy Formidable whose crowd was not nearly as full as it should have been so I opted to take advantage of this opportunity...


The Joy Formidable: (01:00 - 01:45, North - Bud Light)
One of the top 3 sets of the festival for sure! Saw them on Thursday night of course, but with those expectations, two festival days and a club gig from one of my favourite bands already in the books this weekend I anticipated they would have an extremely tough act to follow. Despite all of that, the band came out with their third Chicago set in four nights with furious energy to start the day off correctly. This set blew by and unfortunately they only played for about 2/3's of their alloted time (30 minutes versus 45), but I was definitely not disappointed with what they delivered; quality over quantity. Again, I highly recommend checking them out at this stage as I suspect they will gain popularity and their pricetag will likely increase. The set concluded with lead singer Ritzy Bryan slamming her guitar against a gong, throwing a drumset, and generally everybody in the band going as wild as they can to extend set closer "Whirring". Some of the studio tracks that I wasn't too fond of certainly came alive in this environment.


Rival Schools: (01:45 - 02:30, North - Playstation)
Man... this and Smith Westerns were basically the same for me. Nothing special, same stage, and I had just dealt with a high-energy set. This one was disappointing as their studio stuff is cool, but not much going on in person on this day.


Little Hurricane: (02:05 - 02:45, North - Google +)
Surprisingly good! This blues duo was a late addition to the lineup and after missing their opening set on Thursday I heard some negative buzz among people at the concert, so my expectations were low. Having said that, the description of the group from one concertgoer as being a "poor man's White Stripes" is somewhat accurate, but their set was good enough to warrant me buying their album afterwards, so it certainly wasn't bad at all in my opinion. Some slide guitar and bluesy riffs on a sunny afternoon were definitely welcome for me. I've talked to others who didn't enjoy this one, but I did, and since I'm the one doing the writing here that is what matters. Recommend!


The Cool Kids: (03:00 - 04:00, South - Perry's)
This felt like my first actual appearance at Perry's since I had an interest in seeing who was playing and not just feeling out the atmosphere. I stayed for about half of the set and managed to catch some personal favourites from Bake Sale, including "88" and "Mikey Rocks." They were also a late-add to replace Jay Electronica and they certainly managed to bring some entertainment to Lolla.


Flogging Molly: (04:15 - 05:15, North - Bud Light)
2010 was Gogol Bordello, 2011 is Flogging Molly. I'm not overly familiar with their catalogue but I knew what to expect: an extremely high energy set where everybody in the crowd is having fun with a Gypsy Irish punk band playing. Surprise surprise, this set was fun, even from afar and I would definitely check them out again (ALSO in town on my birthday against Grace).


Arctic Monkeys: (06:00 - 07:00 06:30 - 07:15, South - Music Unlimited)
Ugh. The set was scheduled to begin at 6pm and Mother Nature apparently isn't a fan of their music because it started to absolutely pour just before then for almost half an hour. Unfortunately this meant that the boys had a shortened set and as one of my most anticipated ones of the weekend this was very disappointing news. Thankfully, this was somehow a blessing in disguise as it led to one of their better sets that I have seen which consisted of a lively crowd (who had just been soaked), the guys being in better spirits, and no time to slow down which resulted in a consistently energetic set. Opening up with "Library Pictures" and "Brianstorm", the momentum carried through the set which included "Still Take You Home", "The View From the Afternoon", and breakout hit "I Bet You Look Good on the Dancefloor". I made my way to a neighbouring stage towards what I thought was the end (7pm) but instead of finishing then they were given slightly more time which resulted in a proper finale. Playing a solid mix of tracks from their four studio albums and finishing with an unsuspecting closer ("When The Sun Goes Down") after "Flourescent Adolescent" I can't help but say this was one of the stronger sets of the weekend. Still no "Mardy Bum", but maybe someday. They also have some songs very well titled for this atmosphere which was definitely made apparent as they started to play them ("Crying Lightning", "She's Thunderstorms"). Oh hey, the whole set has surfaced.


After a quick appearance at Explosions in the Sky, it's now time for the main event...

Foo Fighters: (08:00 - 10:00, South - Music Unlimited)
How in the hell do they top a small club gig while playing in a field for thousands upon thousands of people? Call up Mother Nature and get her to rain down on one of their biggest songs, leading to torrential downpour and a massive sing-a-long in Grant Park, that's how. Leading off the set with "Bridge Burning" and "Rope" from their newest album Wasting Light, the guys quickly reminded Chicago that they can appeal to the diverse crowd at the festival. Upon playing "The Pretender", the clouds opened up and threw down perhaps more rain than the previous storm just as "My Hero" was beginning which led to quite possibly my favourite live performance of all time. Yes, of all time. Check out the video here. Despite having an umbrella in my sightlines we were still able to appreciate and partake in the moment that would go on to define the weekend. Seriously, perfect timing. Continuing along the boys played tracks from most of their previous albums including hits "Learn to Fly", "Monkey Wrench" and "Breakout", as well as new crowd favourites "White Limo", "Arlandria", and recent single "Walk", the Foo Fighters proved that they may very well be the best live band on the planet right now. Again, my write-up, I don't care if their songs sound alike, they're damn fun and they're one of my favourite bands. Not to be outdone from the Metro, Dave entered the crowd to jam during Stacked Actors which was fun but with such tight time restraints (10pm curfew, thanks Green Day) the typical moments of excess felt like they ate into the space where other tracks would have gone. In what I imagine was a very rare moment, band and crowd-favourite "All My Life" was not played seemingly due to the band running out of time; considering Dave himself said in the documentary Back and Forth that this track is essential for their shows, this omission seemed odd. However, it wasn't until analyzing the setlist afterwards that we noticed it was missing, so it didn't hinder the experience for me. Before the conclusion of the set, Dave brought out Jane's Addiction frontman and Lollapalooza creator Perry Farrell to thank him for making this festival the success it has been over twenty years. The band then jumped into "Everlong" to close out this extremely memorable set and weekend.


I can't believe I forgot to mention the mud. Much like Eminem's set, thanks to the rain this was an extremely muddy affair for which my Adidas shoes did not live to tell.


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Summary:

Total Acts Seen on Friday: 9 (and some of Tennis and Ok Go)

Total Acts Seen on Saturday: 5 (and some of Deftones, Ellie Goulding, Patrick Stump, Lykke Li, and Beats Antique)

Total Acts Seen on Sunday: 8 (and some of Kingston Springs, Cage the Elephant and Explosions in the Sky)

Total Acts Seen at Lollapalooza 2011: 22

Total Nights Slept on Couch: 4

Total Vince Carter Toronto Raptors Jerseys Spotted: 1

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Food:

Lobster Corndog (Grahamwich, South): Slightly more crispy than last year, but I feel as though it has been improved. Maybe in 2012 I will buy one (for less than $9) and hit the sweetspot.

Deep Dish Sausage Pizza (Connie's Pizza, North): I'm in Chicago, I pretty much had to have another at some point.

Chicken Gyro (Greek Delights, North): Good, hit the spot on Saturday evening.

BBQ Pulled Pork Sandwich (Robinson's No. 1 Ribs, North): Tasty! Required a fork and knife, the bread was essentially decoration. My preferred of the two I had.

Pulled Pork Sandwich (The Smoke Daddy, South): This one actually was to be eaten as a sandwich versus the one at (north vendor). Very rarely have I had a bad pulled pork sandwich and this was not the exception.


Drinks:

Budweiser: Bud's Bud.

Sweet Leaf Original Tea: Delicious! This was my weapon of choice when beer and water were not appealing to my tastebuds; forgot to import some back to Canada.

Water: Once again, Mother Nature brought the heat before the storm and so the water at Lolla was certainly refreshing (very, very refreshing)... and free as you walked in!
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And with that another Lollapalooza is in the books... nuts! While 2010 and 2011 were completely different experiences, I felt even with a less appealing lineup this year that the actual delivery of certain acts may have helped trump last year. Each stands alone as an overwhelmingly positive experience for me and I will certainly be back in 2012, as well as recommend the trip to my friends. While there were instances of slight disappointment, there was still a whole weekend full of exceptional moments that I am glad I got to experience first-hand and I look forward to next summer.

Well, until next time...


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Thanks to the Lollapalooza community for putting together various setlists, check it out for the non-headliners as well:

Setlist (Muse):
Uprising
Supermassive Black Hole
Hysteria
(Star-Spangled Banner/Interlude intro, Back In Black outro)
Map of the Problematique
Butterflies & Hurricanes
(Glastonbury 2004 intro)
Guiding Light
Citizen Erased
Nishe
United States Of Eurasia
Helsinki Jam
Undisclosed Desires
Resistance
Time Is Running Out
(House of the Rising Sun intro)
Starlight
Stockholm Syndrome

Plug In Baby
(Burning Bridges intro)
Knights of Cydonia
(Man With a Harmonica)


Setlist (Coldplay):
MX
Hurts Like Heaven
Yellow
In My Place
Major Minus
Lost!
The Scientist
Shiver
Violet Hill
God Put A Smile Upon Your Face (alternate)
Everything's Not Lost
Us Against the World
Politik
Viva La Vida
Charlie Brown
Life Is For Living

Clocks
Rehab Intro (Amy Winehouse)
Fix You
Every Teardrop is a Waterfall


Setlist (Eminem):
Won't Back Down
3 a.m.
Square Dance
WTP
Kill You
No Love
So Bad
Cleanin' Out My Closet
The Way I Am
Fast Lane (feat. Royce da 5'9")
Lighters (feat. Royce da 5'9" and Bruno Mars)
Airplanes Pt. II
Stan
Sing For The Moment
Like Toy Soldiers
Forever
Cinderella Man
'Till I Collapse
Love the Way You Lie
I Need A Doctor (feat. Skylar Grey)
My Name Is
The Real Slim Shady
Without Me
Not Afraid

Lose Yourself

Setlist (Arctic Monkeys):
Library Pictures
Brianstorm
This House Is A Circus
Still Take You Home
Don't Sit Down Cause I've Moved Your Chair
She's Thunderstorms
Teddy Picker
Crying Lightening
The Hellcat Spangled Shalalala
The View From The Afternoon
I Bet You Look Good On The Dancefloor
Fluorescent Adolescent
When The Sun Goes Down


Setlist (Foo Fighters):
Bridge Burning
Rope
The Pretender
My Hero
Learn To Fly
White Limo
Arlandria
Breakout
Cold Day in the Sun
Long Road to Ruin
Stacked Actors
Walk
Monkey Wrench
Let It Die
These Days
Times Like These
Young Man Blues (Mose Allison cover)
Best of You
Skin and Bones
Everlong

Thursday, 11 August 2011

Review - Soundgarden (San Francisco, CA)

Soundgarden w/ The Mars Volta
Bill Graham Civic Auditorium
San Francisco, CA
Thursday, July 21, 2011



As a casual fan of Soundgarden I managed to check them out at Lollapalooza 2010 and enjoyed myself. However, in that setting I suspect there were more casual fans attending rather than the dedicated ones that made it out on this night.

Right from the get-go the crowd was into this set and it was apparent, especially with front man Chris Cornell who looked to be having more fun than their reunion gigs last summer. I would certainly suggest checking out the band, but their pricetag might turn off some people (thankfully, I blindly bought it and tacked it onto my personal vacation fund...).

Plain and simple, these guys play straight-up rock which may get repetitive but that is exactly what their audience wants. Upon plowing through a diverse set of old and very old tracks, the band made San Fran feel special on this night by breaking out the track Drawing Flies which was the first time the track has appeared on their setlist since their reunion last spring.

Be warned: Soundgarden is an extremely LOUD band, plan accordingly. Long after set-closer Slaves & Bulldozers concluded, the ringing could still be heard outside of the venue and even while walking on McAllister Street. I knew this coming in (based on Lolla) but thought it may have been a cumulative effort on behalf of each band I saw that weekend. Really though, it was Soundgarden.

Opening for them was The Mars Volta, a band from El Paso, Texas who I had always been told to get into but never gave them the proper listen. After this show I have made a slightly stronger effort to but despite that I can fully endorse their live show (I honestly have just not had time to check them out in the last few weeks). Playing tracks primarily from their untitled upcoming album, the band ripped through a 7-track set in explosive fashion while doing their best to ensure the headliner had a tough act to follow. Lead singer Cedric Bixler-Zavala managed to break the ice with a Full House reference (in San Fran afterall) while splicing in The Facts of Life during the rest of the set; this lightheartedness mixed with some solid music full of very natural-feeling jams made for quite an opening set that Soundgarden would have to work extra hard to top.

Great night of live music in a really cool venue. The Bill Graham Civic Auditorium has a very large vibe to it, but allows the audience to obtain clear sight lines and feel close to the action. Picture an oversized high school gymnasium with a second level of seats, in addition to a very wide floor.



Setlist (Soundgarden):
Searching With My Good Eye Closed
Spoonman
Room a Thousand Years Wide
Jesus Christ Pose
Blow Up the Outside World
The Day I Tried to Live
My Wave
Ugly Truth
Fell on Black Days
Loud Love
Drawing Flies
Outshined
Nothing to Say
Rusty Cage
Black Hole Sun
Black Rain
Burden in My Hand
Head Down
Superunknown
4th of July

Beyond the Wheel
Pretty Noose
Like Suicide
Slaves & Bulldozers

Album Breakdown:
Superunknown: 9
Badmotorfinger: 7
Down on the Upside: 3
Louder Than Love: 2
Screaming Life/Fopp: 1
Telephantasm: 1
Ultramega OK: 1


Setlist (The Mars Volta):
Aegis
The Whip Hand
Molochwalk
Dyslexicon
The Malkin Jewel
Broken English Jam
Goliath

Album Breakdown:
Untitled New Album: 5
The Bedlam in Goliath: 1
Cover: 1
Amputechture: 0
Frances the Mute: 0
Octahedron: 0
Scab Dates: 0

Wednesday, 13 July 2011

Review - The Black Keys (London, ON)

The Black Keys w/ Cage the Elephant
John Labatt Centre
London, ON
Tuesday, July 12, 2011



Holy smokes, what a difference five nights makes. Unlike my Toronto review which was a general sense of disappointment in the band gaining more and more popularity, this one is more of an actual review. To summarize it though, with me being in a better mood and having more fun in general, I really enjoyed the show last night.

Once again, the Black Keys are Dan Auerbach and Patrick Carney (vocals/guitar and drums, respectively) with two others who have joined the band since Brothers to amp-up some of the newer tunes on bass and keys. Over the course of the last month the band has been touring Canada and reached the end of their 10-stops north of the border and I must say I'm excited for the next time they come back to town (or two hours away from home, whichever).

To no ones surprise the setlist was the same, but this is okay, it works. Different expectations, different venue, and different company made this a different experience than Toronto for me and I'm certainly happy about that. Opening up with Thickfreakness and various older tracks including Girl is on My Mind, Stack Shot Billy, and the always explosive Busted, the guys blew the roof off of the place and the crowd was loving every minute of it. Dan being Dan on guitar and Patrick beating the hell out of his drumset makes for a fun show. Before jumping into the newer material they also delivered their cover of Act Nice and Gentle (the Kinks) from the album Rubber Factory which served as a smooth transition for their latest material.

On Thursday night I came in with different expectations and once I was in a negative mindset about the state of the band it was impossible to escape, and the giant discoball that emerged for Everlasting Light had served as a catalyst for this. However, on this night I was already in a better mood and just continued onward with enjoying the show. I was surprised at how much I was enjoying the show and especially the tracks from Brothers (an album I seem to keep forgetting about). Surprisingly, the fans on the floor didn't seem nearly as into their latest hit Howlin' For You as Toronto was on Thursday.

Once the band completed those tracks they slammed home the finale of the main set with Strange Times and I Got Mine, two personal favourites of mine which features some of Dan's dirtiest riffs. Before the conclusion of the latter came a large light-up sign displaying "THE BLACK KEYS" which helped drive home the finish and inspired the crowd to chant for the band to return (they would have even without the sign). At the start of the encore they brought back the additional members (who will eventually get names) to perform Sinister Kid and then the guys shed them to wrap up with the always-reliable Your Touch.

The tone of this review and the Toronto one are very different for various reasons. One theory is that shows out of town always gain points for the adventure, which may be true here, but I just felt better about this show and perhaps the band played stronger too, who knows. Identical setlists, smaller venue (9K vs. 16K), and more fun with the neighbours helped. One observation was that while infiltrating and dropping a simple "bro" in your reply to a bro (who is in the midst of being a bro) may actually cause them to restrain their poor behaviour, it was kind of amazing how effective can be (bro's respond to "bro" well I guess). Before I wrap up, I must also point out that the woman on the video screen for Ten Cent Pistol looks like she could be related to Jack White, just sayin'.

We actually missed most of Cage the Elephant but the floor was closer to capacity last night than it was on Thursday and as a result there was much more energy for lead singer Matthew Shultz to play with. He had the same gray Manchester Orchestra shirt on as he did on Thursday and I sure hope he did laundry before or afterwards; dude sure knows how to bounce around. Unfortunately, I cannot confirm whether or not the setlist was identical since I'm both not familiar with their material nor did I see all of it (just the final three tracks, including Ain't No Rest and Shake Me Down). During set-closer Sabretooth Tiger he managed to do some crowd-surfing again which was cool; I typically don't see lead singers getting into it with the crowd at hockey-arena shows.

Good night, good night. I suspect Thursday may have been an off-night for me as a concert-goer but yesterday certainly made up for it; I'm sure glad I hung on to that extra ticket. I would certainly recommend the Black Keys (try to see them in a smaller venue if possible, duh) and Cage the Elephant are enjoyable in small doses; they bring alot of energy but they're just not my thing in general... bro.



Setlist (The Black Keys):
Thickfreakness
Girl Is On My Mind
The Breaks
Stack Shot Billy
Busted
Act Nice and Gentle
Everlasting Light
Next Girl
Chop and Change
Howlin' For You
Tighten Up
She's Long Gone
Ten Cent Pistol
I'll Be Your Man
Strange Times
I Got Mine

Sinister Kid
Your Touch

Album Breakdown:
Brothers: 7
The Big Come Up: 3
Rubber Factory: 3
Attack & Release: 2
Magic Potion: 1
Thickfreakness: 1
The Twilight Saga: Eclipse: 1


(Tentative) Setlist (Cage The Elephant):
2024
In One Ear
Aberdeen
Tiny Robots
Around My Head
Japanese Buffalo
Back Against the Wall
Indy Kidz
Ain't No Rest for the Wicked
Shake Me Down
Sabretooth Tiger

Album Breakdown:
Thank You Happy Birthday: 7
Cage The Elephant: 4

Sunday, 10 July 2011

Edgefest 2011 - Recap


Festival started at 12 and I entered at 3, whoops! I'll point out in advance that it was a last-minute decision to attend and I only had my Blackberry for a camera. I was disappointed to miss The Reason but unfortunately a mixture of traffic and a late-Friday caused me to get to the park fairly late, here we go!

Arkells (3:10) - I've seen these guys a whole bunch of times already and know what to expect, but each time I have been happy with the result and this was not an exception. Perhaps the only exception here was that they opted to not open with a track from their debut record Jackson Square, but rather the new single (Whistleblower) from their upcoming release. Fun, upbeat set that was a solid start to my day, featuring all of the hits that we've known to love such as Oh, The Boss is Coming!, John Lennon, and Pullin' Punches, as well as a few surprises including the debut of a new track and some guest appearances from various other friends at the festival (members of Dinosaur Bones, The Reason, and Tokyo Police Club). Frontman Max Kerman pointed out that the band has moved up the Edgefest food chain hour-by-hour in the last three installments of the festival; assuming the new album is as good as it's starting out to be I wouldn't object to a higher billing next summer.

EDIT: The song they debuted is called "Kiss Cam".


Gentlemen Husbands (4:00) - Recently had the opportunity to check out the tail-end of their set while at NXNE and was impressed with what I heard, so immediately when I saw the Edgefest schedule I penciled them in. Unfortunately, I also went to grab a beverage (two actually) beforehand and caught about 75% of their set as a result but was happy with what I got. Sticking with the Arkells opening to my day, they were upbeat and took advantage of their fairly short slot by delivering an enjoyable set.


Tokyo Police Club (4:10) - These guys are a band for whom I have never really listened to but have been told to check out, so I'll give them the k-os Award for this round of Edgefest. Since Gentlemen Husbands wrapped up before TPC I figured I would check this one out, but also used it as an opportunity to touch base with friends I know at the festival so I took this one in from the hill. In contrast to where I was disappointed with k-os, I found myself enjoying Tokyo Police Club and am probably going to pursue some of their studio material. Which brings me to the next band that also overlapped with TPC...


Monster Truck (4:35) - The positioning of the blanket for which I was visiting was smack-dab in the middle of the two stages (Main and XM), so between TPC songs I was able to listen to some of Monster Truck, in addition to the couple of songs I heard initially before moving to the group. With most festivals comes a scheduling conflict that forces one to make a decision and forgoing another, while I was happy with my choice I wish that they were scheduled at a better slot (for me) so I could see the whole thing. I'll take a raincheck and hope they return to the GTA soon (let's pretend that they didn't play at the Bovine Sex Club last night too). They're in the Edgefest queue of bands I am going to follow-up with shortly, so this "review" of their set is more a place to drop their name for anybody who many stumble onto this entry. :)


The Sheepdogs (5:10) - I gained awareness of them through the Rolling Stone contest that placed them in a battle for the front cover, then after appearing on Late Night with Jimmy Fallon I just missed them at NXNE, so they took some priority yesterday. While I was not crazy about their set, I'll give them the Arkells Award from 2009 of being a band that I hope continues to improve as they are enjoyable, especially on a sunny day like yesterday. The crowd was very into this set and their single "I Don't Know" went over quite well. I'm seeing a trend developing in this recap, where I talk about the band and then say I'm going to check out their album very soon; throw them on the list!

The Weakerthans (5:40) - I've been aware of these guys for quite awhile but never listened to their albums or saw them live because I have always had a dislike for the lead singers voice. I saw about half of their set and enjoyed it while finding there was some diversity in their sound, so I'll credit them with putting on a good set, but maybe just not for me.


KO (5:55) - Continuing on the final point from the last part, I will credit him with being a good, high-energy live performer but just not my thing. The open-air, sunny day setting is definitely an excellent fit for his music and energy (plus it provides some ventilation for the crowd). His sound is along the lines of Sublime, illScarlett and any of those bands with alot of references to smoking weed, which made for a fun set, but I'm sort of content with keeping the relationship casual as it currently is (saw him open for somebody else last summer). I won't have to be dragged kicking and screaming to his sets in the future, nor will I rush to any of them.


Hollerado (6:40) - Maaaaan, oh man. Two years ago I saw these guys very randomly open up for the Dead Weather (story is that Jack White hand-picked them for a secret show) and they were a very pleasant discovery. Here we are in 2011 and the band has rightfully earned a nice amount of success while not appearing to be slowing down. If you have not seen them live, they are an extremely catchy, fun, high-energy band with excellent crowd-interaction who is certainly worth your time. They're in Toronto quite a bit and although their price is no longer free like it usually was in 2009, I would still recommend them (fun-fact: 3/4 times including yesterday I have seen them for free, I owe them some nachos). The difference between then and now is that their videos for Americanarama and Got To Lose each went viral (rightfully so), Juliette became a hit and with these accomplishments they have attracted a much larger crowd which in turn has led to a far more energetic crowd. Fun, fun band that I may have taken for granted lately; they even brought confetti (and lots of it). A quick listen to their album may give off a vibe that they're very poppy, and while I would agree to an extent, their philosophy is that catchy, pop music doesn't have to be bad. Without question I have to recommend their live show. Also, go to HMV and look for Hollerado under Rock/Pop and try telling me that you didn't find something unique (unless their supply is zero). They performed all of their hits, brought out a new track and even covered Neil Young's Keep on Rockin' in the Free World to close out the set; these guys belong on the main stage at this festival. Moving onto the final band of my day (after Hollerado frontman Menno Versteeg ripped into them upon exiting the stage, of course)...

A Perfect Circle (7:10) - The festival typically provides Canadian bands to attendees and then grabs an American band or two for the latter part of the day (previously we had AFI), so in 2011 we have A Perfect Circle, who have just started touring again. I missed the start of their set due to Hollerado's overlap but managed to see most of it. I'm not familiar with much of their catalogue since Mer De Noms (which came out in 2000), so this one was going to be a bit of an experiment to close out the afternoon for me. There was certainly a different (mainly darker) tone to this one compared to most of the days acts, but that wasn't necessarily a bad thing. The highlight of the set for me was a track entitled Counting Bodies Like Sheep to the Rhythm of the War Drums which definitely brings some impact live. The set featured four covers (of the eleven played) which is a bit high, but that also included John Lennon's Imagine. I'll be catching these guys at Lollapalooza next month so I was okay making my way to the exit as they were finishing in order to avoid traffic.


===============================================

Festival thoughts:

Overall, I must say that I had a great time and suggest that if you're into up and coming Canadian bands that this is worth your afternoon. Much like my logic in 2009, face value was $40 for the early bird ($60 otherwise) for about 9 bands (split-sets included), so it works out to very little per act. For somebody who arrives early and/or is a fan of the headliner it is excellent value (last time I got to see Billy Talent and Metric for less than a standard ticket to one of their shows). The beer is expensive but the roaming aspect brought on by a recent law change is nice (no more beer tent!). If I had one suggestion to make, it would be to somehow expand the XM Stage because for Hollerado and the Sheepdogs that thing was beyond capacity.

What is a Sandman Viper Command? The winner of the Edgefest marketing award, that's who. I think I'll check them out right now because their posters and shirts were plastered all over the place.

I would also recommend taking the TTC. The festival provides a shuttle service from Downsview station and you get to avoid the potential clusterfuck of an exit by car. I left before the headliner and still had to deal with two 401 entrance closures, then add some eventual traffic to that and you have yourself one big mess. Next time I will likely be taking TTC (plus you can drink).

Friday, 8 July 2011

Review - The Black Keys (Toronto, ON)

The Black Keys w/ Cage the Elephant
Molson Canadian Amphitheatre
Toronto, ON
Thursday, July 7, 2011


This is a tough one. I want to write about this show, but I have alot of mixed, larger feelings associated with yesterday and how it relates to one of my favourite bands at the moment, I'll try to remain on topic. I really don't want to sound like a music snob (that's not why I write), but I didn't dig this show as much as everybody else and I have to get some stuff down.

The Black Keys came to Toronto last night and depending on who you asked the review may vary based on if they are a new fan, an old fan, or a casual concertgoer looking for entertainment on a warm summer evening. The band (Dan Auerbach on vocals/guitar and Patrick Carney on drums) have been moving up the ranks quite rapidly in the last year and generally over the course of the past decade. This was my third time seeing the band (twice last August) and unfortunately was my least favourite of their sets. Coming in I had both extremely high expectations (based on past shows) and a somewhat cautious attitude (the Coachella webcast seemed to indicate some changes to their live show), the mix of this hurt my enjoyment of the evening.

A year after releasing their Grammy Award-winning album Brothers, the boys returned and have certainly increased the overall feel of their live show, which is where the discomfort for me came. I suppose the music-snob in me is a bigger fan of the simpler, balls-to-the-wall style that they have the reputation for providing, but last night felt as if the band is trying to expand the scope of their live show to reflect their rise in popularity (which I suppose makes the show accessible for everyone in the larger venue). Rather than a simple backdrop and playing the songs straight, there were far more theatrics that I would have expected at a Green Day show and not so much one featuring these guys. During Everlasting Light a massive discoball dropped from the ceiling, video screens displaying random clips played throughout the evening, and a large "BLACK KEYS" sign with flashing lights arrived prior to the encore (and helped cue the chants throughout the 16,000 sold out crowd). The music itself was good, I just felt the gimmicks were a little over-the-top for this band; they don't need to be doing this. Other than my snobby opinion, the show itself in general was clearly a success as everybody else I have talked to loved it and the setlist maintained the variation I expected. I'm not trying to write that the band sucks or that their show did, because it didn't (and they don't). My fear is just being realized that a band I have grown to enjoy more and more is finally getting the fame they deserve and graduating to the big leagues of arena rock. While it's unfortunate that I would like to live in the past, these guys have to make a living and one could say it's important to evolve over time or else you run into the risk of boring your audience. Sorry to go off on a tangent, this is a show review afterall.

The setlist included all of the hits and dirty riffs that one would expect from a Black Keys show, but on a much larger scale compared to previous dates in the city. Last time they were in town there were three more songs played; five of which did not appear last night (two from Rubber Factory, one from each of Attack & Release, Thickfreakness, and Brothers), so perhaps I'm just feeling spoiled by past experiences.

Their studio material has not changed for the worse in my opinion, as I enjoyed Brothers in its own way compared to Rubber Factory or Magic Potion. The fact that they're diversifying their style is fine and I will continue to enjoy the past albums (seventh is due out this year), but the band has shifted my expectations for their live show and this has landed them in a different territory than what I expected Thursday afternoon (further from say, NXNE and closer to the Foo Fighters). That's okay (I guess), things change, relationships evolve, it's just not what I expected last night. A "bad" Black Keys show is still a freakin' Black Keys show where Dan rocks all of our faces off on guitar or where Patrick beats the holy hell out of the drums. I wasn't a fan of the different ways in which they are now performing certain songs, but the source material is still very strong and perhaps I can chalk this up to being a phase of the group (the Arctic Monkeys went darker in 2009, then light again in 2011, for example).

There are many things in my life that I was doing one or five years ago that I don't enjoy doing anymore, so I have to give the guys the benefit of the doubt that perhaps they're just trying something different in order to keep things exciting (they do seem to tour relentlessly afterall). I've been told they're nice guys and I'm sure they are, I was just disappointed with the feel of this show compared to a typical Black Keys show. Oh well, I still have tickets to Tuesday night's show in London; perhaps I will have more fun at that one now that my expectations are a little more grounded.

Cage the Elephant opened with a thirty-minute set featuring favourites from both their self-titled and 2011's Thank You, Happy Birthday. I had only listened to the former on occasion and was not overly familiar with their material, but hits like In One Ear, Shake Me Down, and break-out Ain't No Rest For the Wicked went over extremely well with the audience. Frontman Matthew Shultz certainly lived up to his energetic reputation by moving onto the floor early in the set and then crowd-surfing towards the end. I'll give them points for their energy, but I found the vocals were fairly muffled which may have been a combination of the venue or the lead singer, who knows.

Closing out the evening on the roof of the venue was The Coppertone, but unfortunately we were unable to catch her/their set as we were amongst the masses trying to escape the venue.

Setlist (The Black Keys):
Thickfreakness
Girl Is On My Mind
The Breaks
Stack Shot Billy
Busted
Act Nice and Gentle
Everlasting Light
Next Girl
Chop and Change
Howlin' For You
Tighten Up
She's Long Gone
Ten Cent Pistol
I'll Be Your Man
Strange Times
I Got Mine

Sinister Kid
Your Touch

Album Breakdown:
Brothers: 7
The Big Come Up: 3
Rubber Factory: 3
Attack & Release: 2
Magic Potion: 1
Thickfreakness: 1
The Twilight Saga: Eclipse: 1


Setlist (Cage The Elephant):
2024
In One Ear
Aberdeen
Tiny Robots
Around My Head
Japanese Buffalo
Back Against the Wall
Indy Kidz
Ain't No Rest for the Wicked
Shake Me Down
Sabretooth Tiger

Album Breakdown:
Thank You Happy Birthday: 7
Cage The Elephant: 4